Working on what I love...Yahoo!

The last few months have been a grind.  I have been mainly occupied with work for hire jobs.  Last week after a west coast sprint with a stop in Chicago to pick up a couple of interviews I am back in Tennessee.  I am setting aside the next six weeks to focus on the Ed Johnson film with the goal to hold a screening in early June.    I have much work to do, but it is a welcome relief to sink my teeth into a project I truly love.  I'll send updates about the film and its screening in the month to come.   For now its back to the edit - Oh happy days!

Wheels in motion...

I have put into motion my grant money with the purchase of a MacBook Pro.  Oh how sweet it is!  Last weekend while on a shoot I could watch footage from the field and start the editing process.  It was wonderful.  I have several shoots coming up in the next month and will be on the road and “editing on the fly”  Will keep you posted on my progress and hopefully include a couple of clips along the way. 

TV Premiere on WTCI We Shall Not Be Moved

I am thrilled that at 8 tonight on WTCI two films I made on the sit-in movement will air back to back.   They both document the important sit-in protests that took place in Chattanooga and Nashville. The Nashville piece was made for the Tennessee State Museum to accompany an exhibit last year and this will be the first time it has premiered on TV.  Several PBS stations across the state will be airing the films as well as a few film festivals.  It was a very rewarding experience to do both films.  I am happy that they are being show to a wider audience.

Hibernation - not a bad concept...

As snow fell in Chattanooga and everything came to a stop, it occurred to me that hibernation is not a bad concept. I had my own retreat in a way - the edit cave and I was happy, warm and quietly at work. The first few weeks of January was spent wrapping up two pieces on the Benwood Speakers - one on Malcolm Gladwell, the other on Cory Booker. Both proved engaging and challenging. I’ve also been hired by National Geographic to develop two stories loosely based in the south and hope to complete that research by the end of this month. So for the moment, I’m staying in the cave, when I emerge I’ll post a couple of videos and head out to do some more filming. Stay tuned, stay warm…and when in doubt HIBERNATE.

Open Letter to Mayor Booker...

Dear Mayor Booker,

I was hired by the Benwood Foundation to document your trip to Chattanooga, Tennessee. In the course of filming your speech and visit, I saw a contagious energy spread in the crowd. So in an effort to go beyond that “feel good” moment you left us with and build on your inspiring visit, I’m posting this letter to you on my blog to further a conversation not on community building but rather on community inspiration and the power of our own stories.

When you stand up before a crowd and retell the stories of your grandfather, father or neighbor, you harness their strengths. The neighbor who fought for civil rights, the bus driver who survived the war, and even everyday lessons of work, hope and life that bind us all together are an untapped resource. There is nothing really new in this thought, indeed it is the backbone all great books of faith. And behind every great minister is a great storyteller. But in a world where technology can send a story around the world in seconds, you would think we would be up to our eyeballs in inspiration, but we are not. Our children grow up unaware of the ordinary people all around us that do extraordinary things. But think of what would happen if we actually turned off the “reality” TV show and stopped to listen to the real life stories of our own community.

There is a deep spiritual fuel locked up in a remembered story of a treasured life. They are perhaps our greatest untapped resource. And I believe in much the same way that Malcolm Gladwell explains the tipping points of social trends that all humans have tipping points as well. Moments that can forever change our path. They can be stories or acts of kindness or words of encouragement – the slightest push can make a monumental change. Now, of course, this is my own theory and the social scientists may prove me wrong, but time and time again I experience human “tipping points” in my work as a filmmaker. A simple box of crayons given to a child, a teacher who connected with a student or as I discovered during your visit, a documentary about you so inspired one man that he became active in our community and now serves on our city council. What seems to be a fleeting and insignificant moment in a day, can alter the course of a person’s life forever.

I have actually given this search for sustained passion, and the tipping points in life that create it some thought. The enclosed film is my best answer to that search. And if you are looking for new material, look no further than Jimmie Woodruff…She is always a great way to kick off a New Year and like you, is a great disciple of storytelling. It is just a small thank you for bringing your stories to our community and filling us with inspiration. My hope is our community can discover ways to unlock our stories and harness the inspiration or the fuel we need to sustain our passions. May you have a safe and warm New Year.

Best Regards,

Linda

The cutting room floor…

It’s a title that dates me. But to explain, in the days when films and yes, even TV shows, were cut on film the moments that did not make it into the final cut were left  “on the cutting room floor”and most of the time for good reason.  I am a firm believer that less is more when it comes to filmmaking.  I have no use for those treasured “director's cuts" resurrected, repackaged and sold once a director's career has reached a status that supports his or her leftovers.  My exception is Ridely Scott’s director's cut of Blade Runner. In his version, there is no narrator and somehow for me, that makes the film much better.   

There is another over-used saying - documentaries are more fun to make than watch.   Which I hate to admit is probably true. Many times the moment the camera turns off are your most memorable.  Or perhaps, it is in that moment that you allow yourself the time to take it all it.  I remember sitting next to a volcano on the isle of Stromboli as it began to rumble and my interviewee grabbed my shoulders and told me not to run or as a young associate producer when I was setting up for a shot in the Queen's Robing Room in the House of Parliament when the guard turned his back, smiled and let me sit in Her chair, or sitting at Jane Austen's desk as the crew wraps the gear.  

But even more significant are the stories that are left on that floor.   I remember in one interview,  I was asking an expert questions about communication and its importance in sex education.  And after the interview she pulled me aside and said "I think its really important that you are doing this because I’m an expert in this field and I just discovered that my ex-husband was abusing my daughter while we were married and if I can be fooled, anyone can. "  In that moment, I truly felt as if a weight had landed on my shoulders. What should I do with this information?  The camera's weren’t rolling and I knew she consciously waited until we had stopped.  So, I kept our conversation private, but I have never forgotten it.  Once while filming in a school for learning disabled kids, I was profiling a wonderful and brilliant teacher and afterwards she told me the story of her brother and how she saw him struggle with learning disabilities his entire life.  As tears streamed down her face, she said "this is why I do what I do".   I can't help but feel that even though those stories didn't make it into my final cut, they influenced the choices I made in the edit room. 

Today in the world of reality television and scripted documentaries, the edit room has become a place where "story" is created.  What happened in real life has very little to do with what we see on screen.  Producers are often told to coach soundbites and create drama to fit a "script".   I think most viewers are savvy enough to know this and they watch because they are entertained.  But what happens when the drama is real, the pain is palpable or the beauty breathtaking?   Unless its in the script, those moments will land on the cutting room floor.  The only exception may be in nature films - wildebeest, whales and lions don't take direction and they never will.   Perhaps that's why I never tire of watching them. 

My "sit down" moment.

It's fall.  The time of year  I always feel a sense of urgency and purpose mixed with an unsettling gnawing in my gut.  I am restless and queasy all at the same time.  Its not an all together pleasant experience.  Maybe, for me, this is when my year begins. Having just finished a grueling summer of travel and work, I am ready to tackle the work I love.  For whatever reason I have several rituals of fall.  I read the poems How to like It by Stephen Dobyns and In Praise of Dreams by Wislawa Szymborska.  I question the balance between making a living and living for your passions.  And I wonder if it is possible for those two objectives to merge into one.

I must confess I have never had an "aha moment".  I've heard of them but somehow this moment of clarity has never happened to me.  The closest I've come is the night my editor and I finished the scene posted.  Nothing in my mind said aha but something loudly screamed "sit down!" and listen to the people around you, perhaps the answers are there for the taking.